Konark is one of the well known tourist
attractions of Orissa. Konark, Konark houses a colossal temple
dedicated to the Sun God. Even in its ruined state it is a
magnificient temple reflecting the genius of the architects that
envisioned and built it. Bhubaneshwar, Konark and Puri constitute
the Golden triangle of Orissa, visited in large numbers by pilgrims
and tourists.
Konark is also known as Konaditya. The name Konark is derived form
the words Kona - Corner and Arka - Sun; it is situated on the north
eastern corner of Puri or the Chakrakshetra. Konark is also known as
Arkakshetra.
This temple built in 1278 CE by the Ganga King Narasimha Deva is one
of the grandest temples of India and was referred to as the Black
Pagoda. The ruins of this temple were excavated in late 19th
century. The tower over the Garbagriha is missing, however the
Jagmohana is intact, and even in this state, it is awe inspiring.
Legend has it that Samba, the king of Krishna and Jambavati entered
the bathing chamber of Krishna's wifes, and was cursed by Krishna
with leprosy. It was decreed that he would be relieved of the curse
by worshipping the sun God on the sea coast north east of Puri.
Accordingly Samba reached Konaditya Kshetra and discovered an image
of Surya seated on the lotus, worshipped him and was relieved of his
curse.
It is said that the temple was not completed as conceived because
the foundation was not strong enough to bear the weight of the heavy
dome. Local beleif has it that it was constructed in entirety,
however its magnetic dome caused ships to crash near the seashore,
and that the dome was removed and destroyed and that the image of
the Sun God was taken to Puri.
The Temple: The Konark temple is widely known not only for its
architectural grandeur but also for the intricacy and profusion of
sculptural work. The entire temple has been conceived as a chariot
of the sun god with 24 wheels, each about 10 feet in diameter, with
a set of spokes and elaborate carvings. Seven horses drag the
temple. Two lions guard the entrance, crushing elephants. A flight
of steps lead to the main entrance.
The nata mandir in front of the Jagamohana is also intricately
carved. Around the base of the temple, and up the walls and roof,
are carvings in the erotic style. There are images of animals,
foliage, men, warriors on horses and other interesting patterns.
There are three images of the Sun God, positioned to catch the rays
of the sun at dawn, noon and sunset.